WATER, MINERAL, DEITY: SABRINA TRACES (RESEARCH)

Art and Creativity in an Era of Ecocide

Book Chapter

‘Incendiary: Curating art protest in the toxic airs of Stroud's rural green idyll’ (2023)

Chapter review by Regine January 9, 2024 at ‘We make money not art’

‘In her essay, Patricia Brien explains how she used her curator role to be a cultural agent of social change in her community. In 2019, she invited artists to respond to the opening of a waste incinerator in a green rural area near Stroud, UK. Called Incendiary, the exhibition not only highlighted the social inequalities engendered by ecocide (and in particular by the release of small invisible particle matter), it also highlighted the importance of collaborations between artists, scientists and environmental activists to exchange situated knowledge and draw strength from it.’

https://we-make-money-not-art.com/art-and-creativity-in-an-era-of-ecocide/#:~:text=Art%20and%20Creativity%20in%20an%20Era%20of%20Ecocide%20looks%20at,%2C%20multi%2Dspecies%20world%20view.

 
 
 

Leipzig - Curatorial Residency ‘Pilotenkueche’

October - December 2019

 
 

Residency @ Mount of Oaks with Fourthland

Yoruk: Eye of the Wind, Alpedrinha, Portugal

September, 2019

 

Curator & Artist - Incendiary set on fire

February 2019

Multi-site exhibition SVA, Lansdown Gallery, Hardwick Campus, Cheltenham + pop-ups

Photo: Lydia Halcrow

Artist call out: INCENDIARY

Submission deadline: 15 November 2018

Call Out for artist response to Incinerators, fire, regeneration, pollution, airborne toxicity

 

RED THREAD PROJECT

Red Thread Project

October 2016-January 2017

 

 

Residency: Yoruk Eye of the Wind, Alpedrinha, Portugal, September 2019

Image: Kirsty Whiten

 

KINdoms - touring exhibition Fringe Arts Bath & Dartington Hall, Totness

Ghost in the Machine (2018)

Patricia Brien, Film Stills

KINdoms

Shapeshifts by Nikki Allford